Chinese Feminist MovementPapers

This paper explores the multifaceted responses from the Chinese art world to Linda Nochlin's famous 1971 question 'Why Have There Been No Great Women Artists?' The author analyzes how feminist art criticism has been translated and practiced in China, and drawing on the theory of 'feminism with Chinese characteristics' proposed by Zhu and Xiao, emphasizes the non-binary nature of gender politics within specific historical contexts.