Sex Worker Rights · Commentary
The Traffic in Women
Goldman connects moral panic about trafficking to low wages, sexual double standards and police extraction, questioning what punitive rescue leaves unchanged.
Article analysis
Goldman links low-paid women’s labor to punitive rescue, questioning how police power and sexual morality sustain institutional inequality.
Goldman’s The Traffic in Women asks why public concern centers on rescuing fallen women while neglecting the low pay of women’s labor. It does not require denying coercion or harm. It questions what moral panic illuminates and what it leaves outside the frame.
The essay connects inadequate wages, insecure employment and sexual ignorance. Explaining prostitution solely through individual vice or foreign seduction allows employers, marriage and chastity requirements to escape scrutiny. Juxtaposing marital dependence with commercial sex also exposes unequal judgments of dignity attached to arrangements involving livelihood and sexuality.
Police are not automatically outside exploitation. Goldman cites an account of fines, harassment and payments to officials to show how enforcement can extract continuing revenue. Women can be displayed as objects of rescue while stigma denies them standing to describe their own injuries. Sympathy is therefore insufficient without examining who controls income, punishment and social naming.
This early twentieth-century polemic contains dated racial language and broad assertions; its quoted figures are not contemporary measurements. Opposing punitive rescue must not erase coercion, violence or differences between workers’ circumstances. A productive extension asks which institutions expand people’s ability to refuse transactions, leave danger and organize collectively.
The VAMP/SANGRAM movement provides a worker-organized comparison. Rubin’s differently focused Traffic in Women examines kinship exchange: the similar titles do not identify the same work or level of analysis.
Explore another medium
- Papers
The Traffic in Women: Notes on the 'Political Economy' of Sex
Gayle Rubin
This paper proposes the groundbreaking concept of the 'sex/gender system' to analyze the social origins of women's oppression through a critical synthesis of Marxism, structural anthropology, and psychoanalytic theory.
- Films
Anora
Sean Baker
A romantic comedy-drama directed by Sean Baker, winner of the Palme d'Or at the Cannes Film Festival. Mikey Madison stars as sex worker Ani who falls in love and impulsively marries Vanya, the son of a Russian oligarch, before facing fierce opposition from his family's forces. With its authentic, nuanced performances and sharp social critique, the film deeply explores crucial issues including sex worker rights, class differences, economic inequality, and women's survival struggles in capitalist society.
Sex Worker Rights · Class Analysis
Reader responses
Letters from readers
Respond to this article or add a source that belongs in the discussion.
Join the Discussion
Loading comments...
Support Us
If you find our content valuable, please consider supporting FemRes.