
Cyberfeminism · Books
Zeros and Ones: Digital Women and the New Technoculture
Sadie Plant’s cyberfeminist writing links weaving, computing, women’s labor, and network culture as a key 1990s digital feminist text.
Review and reading guide
Sadie Plant’s Zeros and Ones is a nonlinear history and manifesto linking women, machines, weaving, calculation, telecommunications, and the emerging network culture of the 1990s. Ada Lovelace appears not as an isolated exceptional woman but within a longer association between patterned textile work and computation; typists, telephone operators, programmers, and other feminized workers reveal how supposedly masculine technology depends on labor coded as repetitive or secondary. Plant argues that distributed digital networks may unsettle the bounded, autonomous subject on which patriarchal authority has relied.
The book became a landmark of cyberfeminism because it did not simply demand that women enter technological institutions on equal terms. Its form and argument imagine networks, multiplicity, feedback, and code as forces capable of scrambling stable identities and centralized control. This exuberance captures an important historical moment when the internet could be read as an opening for new affinities and modes of authorship. It also recovers connections between textile production and information technology that conventional histories separate, making gendered labor part of the conceptual history of computing rather than an afterthought.
Its provocations now require substantial criticism. Plant sometimes treats “women” and machines as naturally fluid allies against a rigid masculine order, risking biological or symbolic essentialism. The confidence that networks themselves dissolve hierarchy underestimates platform monopolies, surveillance, racial capitalism, mineral extraction, global factory labor, online abuse, and the state’s capacity to govern digital systems. These are not reasons to discard the book but to read it historically against the internet that followed. For FemRes, Zeros and Ones is most valuable as both a generative cyberfeminist experiment and evidence of techno-optimism’s limits: liberation depends not on connectivity alone, but on who owns infrastructures, performs their labor, and can refuse their terms.
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