Identity and Selfhood

Amina Mama exposes psychology’s role in producing racist images and develops a historically grounded account of how Black women create subjectivity against racial and gender domination.

Gloria Steinem's 1992 classic work combines feminist politics with personal growth, exploring issues of self-esteem, self-identity, and inner liberation.

Marilyn French's 1977 feminist fiction classic follows protagonist Mira's transformation from a submissive 1950s housewife to a 1960s feminist awakening, revealing patriarchal marriage's oppression of women and the possibility of women's liberation.

A manga artist with cerebral palsy seeks authorship, sexual experience, and independent life. HIKARI makes a disabled woman not an object of care but a subject with desire, contradiction, and agency.

Over five hours and seventeen minutes, Ryusuke Hamaguchi follows four women approaching forty in Kobe as friendship, marriage, work and departure test what it takes to speak honestly and truly hear one another.

Agnès Varda's 1962 masterpiece uses real-time filming to depict the psychological journey of a young singer awaiting cancer diagnosis results over two hours, standing as a landmark of both French New Wave and feminist cinema.

Maya Deren's 1943 experimental short film explores female subconscious, identity, and gender power relations through dreamlike visual language, serving as an important pioneering work of American avant-garde and feminist cinema.